Open to the Elements

October 2025 & January 2026.

Open Air Columbus, formerly the Open Air School, is a mixed-use building constructed as a school for children at risk of contracting tuberculosis. It is likely the most unorthodox of Columbus’s historic schools in both design and function.


Open Air is located at 2571 Neil Avenue in the Tuttle Park neighborhood (within Old North) of Columbus, Ohio. It is bordered by apartments to the north, Hudson Street to the south, Neil Avenue to the east, and the Olentangy Trail to the west.

History

The creation of what is now Open Air Columbus stems from the Columbus Society for the Prevention of Tuberculosis (now the Central Ohio Breathing Association), founded in 1906 by Carrie Black. She and her organization helped poor people who had contracted the disease and could not afford medical care. A year later, she helped the county build a camp with “tuberculosis cottages” in Glen Echo. 


The first Open Air School in October 1922. (Columbus Metropolitan Library)


Mrs. Black’s efforts resulted in the construction of the first Open Air School in 1913, which opened in 1914. The school had a more rustic, Craftsman design, with wood construction and a wide porch. It was built with a capacity of 50 students at a cost of about $6,000. Columbus’s school board provided the land, teacher, and school supplies, while the Society built the school and hired additional staff. The location adjacent to forest and the Olentangy River was deliberate, which was perceived to have cleaner air and be more peaceful than other parts of the city. The school had one large classroom with a lunchroom, kitchen, and a reception room. By 1916, the school district took over operations completely. 


The building’s exterior in 1931. Note its then-remote siting. (Columbus Metropolitan Library)


By the 1920s, numerous large and modern schools were being constructed, and the small frame Open Air School was outdated in comparison. The second Open Air School was designed by Columbus City Schools architect Howard Dwight Smith in 1927, as part of the district’s expansion efforts that decade. Its construction began on August 16, 1927, and the school opened in 1928. With the building’s form and detailing, it is an example of the Renaissance Revival style. It uses a U-shaped floor plan with classrooms on the first floor, a kitchen and lunchroom in the basement, and a “rest room” on the second floor for students to nap. The portion in the middle was a covered play area for inclement weather, while the terrace above was used during fair weather. Along with the floor plan, the school used a radiant heat system using hot water that was built into the floor due to the open-air nature of the design.


The Open Air School is an example of, well, an open-air school. These are a specialized type of school designed particularly for children who were viewed as most in danger of catching tuberculosis, a lung disease that was very prominent in the late 19th century, mostly due to the unsanitary conditions of cities at the time. Open-air schools were designed under the belief that exposure to fresh air adjacent to nature, rest, and healthy eating would prevent the contraction of the disease, an extension of summer camps that were previously offered to children. The first documented open-air school opened in Germany in 1904, and in the United States the first school was built in Providence, Rhode Island. Most open-air schools in the United States were frequently located in existing buildings that were adapted via removal of walls or additions on roofs. 


Howard Dwight Smith’s original floor plans for the school, showing its unique program. (NRHP listing)


The curriculum of open-air schools was much different than traditional education. The windows would be kept open even in the winter, as it was believed exposure to cold air would “promote strength and vigor by stimulating the appetite and increasing respiratory and vascular activity.” Students wore long coats or “sitting-out bags” to stay warm in these conditions. Classes were either held outdoors or inside the classrooms with open windows, and aside from the traditional education of the time, students played and rested frequently. A popular slogan for these types of schools was “twice the food, twice the rest, and half the work.”


As of 1935, the school taught eight grades, with 83 students and three teachers. At that time, it was clear that the nutritional goals of the school were working, as many gained weight over the course of their education. By the 1940s, tuberculosis was also becoming less common, largely due to better living conditions and antibiotics for treatment. As a result, the Open Air School’s function began to change. Students with physical disabilities were enrolled in the school beginning with the 1939-1940 school year, and an elevator was installed at that time to accommodate them. It also became a neighborhood school for children in the Tuttle Park area. 


A Modernist addition was built onto the school in 1956, designed by Raymond Goller. It uses brick and concrete bearing walls with steel joists supporting the roof. Some of the rooms were originally used for physical therapy for the school’s students with disabilities. At the same time, the “Open Air School” name was dropped, and it was then known as Neil Avenue Elementary School.


Neil Avenue Elementary closed in 1975, and the school district used it as offices thereafter. The building then sat vacant for a period. In 2017, it was purchased by Kelley Companies, who originally planned to convert it to residential use. However, the University Area Commission rejected this plan due to the density of housing in the area, and the direction was changed to a mixed-use complex. Schooley Caldwell was commissioned to restore the former school, and it was listed on the National Register of Historic Places in 2019. Along with restoration of the original features that remained, historically appropriate ones such as the doors and windows were installed. The project won a Preservation Merit Award. 


Presently, the building is occupied by Understory (a restaurant in the former lunchroom), Emmett’s Cafe in the covered play area, Butcher Shop Fitness in the 1956 addition, and offices in the former classrooms. The entire complex is now known as Open Air Columbus.

Photos

I have yet to see this building without its parking lot filled to the brim. It seems like yoga classes in the gym are very popular:



Smith’s design for the school is extremely detailed. The exterior is largely brick, laid in highly uneven, undulating courses. The second floor employs copious vaulting, supported by tan terra-cotta colonnettes. Along the roofline of the building runs a colorful terra-cotta cornice. The building’s symmetry is also characteristic of the Renaissance Revival style. 



Not so fun to get a straight-on shot, though, especially with all the cars in the way.



The eastern wing:



I could not get over how excellent the autumn lighting was that day.



Each door has a smooth, vaguely classical stone portal, with a shield in low relief and a romantic urging to “LISTEN TO NATURE’S TEACHING”:



These arcaded windows and their adjacent brickwork is excellent. It isn’t just the case that architects don’t design like this anymore--we also don’t have the trades to build like it anymore. 



The contrasting courses of thin bricks making up the vaulting versus the header courses of the tympanums is interesting:



I like the polychrome circle elements in the cornice, too.



It’s tough to make out, but right below the top, there are a series of bricks placed at a 45 degree angle:



The large bifora above the entrance is very detailed, too:



I love the plethora of plants lining the patio space in front of the former indoor play area:



It doesn’t look like it, but this area is actually the most heavily altered across the entire building, which is saying something. The windows are in openings that did not originally have them, and the stone cubes at each corner were originally impost blocks for arches above each opening. Remarkably, whenever these alterations occurred, the decorative brick course above and datestone were actually moved downward instead of being disposed of along with the arches (as is typical).


The datestone:



The original wavy brickwork is visible adjacent to the window here--it is extremely subtle, but slight differences in the age and tone of the six courses of brick between the top of the window and course reveal the alteration:



Even the chimney near here is lavishly decorated with colonnettes and fancy brickwork:



Western entrance, which reads “GO FORTH UNDER THE OPEN SKY”:



I guess Smith felt bad for these poor youngsters and didn’t warn them to stay in school like the other whippersnappers. A small wrought-iron balconette sits above the cornice:



Note the reliefs of different animals and objects in the arch’s terra-cotta blocks:



A couple of the openings on this side are blind, but that is to maintain symmetry with the east:



A bit overexposed, but the patio here is lovely:



The east side of the building is simpler in design, with two bays of windows separated by larger planes of brick:



I got this better-framed shot later, but the lighting isn’t as good.



I didn’t bother getting to the north side with all the utilitarian junk in the way and the very shallow depth of the alley, but from here it can be made out that the decorative brick and terra-cotta disappears in the middle:



Let’s pivot to the 1956 addition:



I’m sure the fans of Modern architecture here are cringing at 1920s-inspired fonts and floor plans applied to an addition built 30 years later.



The eastern wall of the addition is painted with the complex’s name:



I don’t think green is a historically accurate color with Modern architecture, but in terms of tone alone it goes well with the red brick.



The west wall is entirely free of supports, with a wide curtain wall of windows extending its width:



The rusticated stone foundation is also a bit anachronistic.



Southwest corner:



Open Air was one of the few non-downtown buildings that I was able to make my way inside of. I knew it was open to the public, as my former roommates had visited Emmett’s before, and I went to Understory with my girlfriend and both of our parents after a football game. 



The floor tiles and exposed brick walls are original. I’m not sure about the ceiling, but it was formerly covered with ugly acoustic tiles, so the uniform white look is far better.


The central hallway maintains the original built-in lockers on the far wall, and new seating was added nearer to the cafe. The modern fixtures don’t hide their age, but they are in harmony with the original design through their materials and aesthetics.



Another view of the lockers--also note the original wooden doors and hardware:



Inside Emmett’s--I had to take this with my phone instead of being the weirdo with a camera in the middle of a busy cafe:



Maybe “busy” is overstating it--I tried visiting with my girlfriend when I was briefly in Columbus recently, and the line was out the door on a Sunday morning.


Staircase at the other end:



Heading down to the basement, I noticed this ancient bell system:



It was made by the Autocall Co. from Shelby, Ohio, and appears to be original to the building.


I popped my head in Understory briefly, but there were servers setting up for the day, so I just snagged this quick shot from the stairs:



Understory absolutely nails the contemporary aesthetic I love and think works best in historic buildings--moody colors, warm lighting, plants, etc. Budd Dairy is another great example.


Heading up the stairs to the second floor:



The ceiling is vaulted here:



The hallway here is much shorter before it meets the rest room:



A look at the two original classroom doors here:



I surreptitiously peeked my head in… (note the piping for the radiant heating along the walls)



…then noticed no event actually occurring. This space has such gorgeous lighting with the massive windows:



Looking through the open doors at the far end, the other classroom here seems to have been converted for event use, too:



Open Air is a wonderful example of adaptive reuse and complementary modernizations to a historic building.


Sources:

https://npgallery.nps.gov/AssetDetail/NRIS/100004054

https://digital-collections.columbuslibrary.org/digital/collection/ohio/id/16667/rec/2

https://digital-collections.columbuslibrary.org/digital/collection/ohio/id/12209/rec/1

https://www.columbusmonthly.com/story/lifestyle/features/2021/12/02/whats-story-behind-beacon-building-sign-open-air-building-old-north-columbus/8750242002/

https://columbusunderground.com/plan-revealed-for-historic-neil-avenue-school-bw1/

https://www.openaircolumbus.com/

https://www.ohiohistory.org/preserving-ohio/state-historic-preservation-office/shpo-awards/open-air-school/

https://www.schooleycaldwell.com/projects/open-air

https://www.pbs.org/video/open-air-school-lv6bxv/

Columbus - Short North - High Street from 1st Avenue to Goodale Street

February 2026.  


The Short North Arts District, colloquially the Short North, is a prime example of a gentrified neighborhood in Columbus. Much of the neighborhood is a long commercial strip on High Street from about 5th Avenue to I-670. Aside from the occasional date or parent visit, I never went there much in school, but it was a popular party spot for upperclassmen and rich students at Ohio State.


The Short North Arts District is located on the near north side of Columbus, Ohio. It is bordered by Smith Place and the University District to the north (I know most sources put the boundary at 5th, but the first arch is at Smith, and it’s where the urban fabric of the Short North begins), I-670 and downtown to the south, Pearl Street and Italian Village to the east, and Park Street, Wall Street, and Victorian Village to the west.

History

I’m omitting the history, which is covered in part 1.

Photos

As usual for these “dump posts,” this post covers a greater distance in less depth. Other places I have covered in more detail in this area include the Short North Historic District, Greystone Court, and Yukon Building. For the most part, this post will fill in the gaps between the historic districts (since I only put the contributing buildings in those).

Jane Quinn Building (861-867 North High Street)


A more unique building compared to the Commercial and more contemporary architecture we’ve seen thus far, this one is Arts & Crafts in style with its tile roof and subtle brick details. It was built circa 1920 and was apparently renamed in 1972.


854-858 North High Street


Although the first floor has been heavily modernized, the stories above have simple Commercial-style brickwork and corbelling. Here is one of the window bays:



Cornice corbelling:


The Dakota (845 North High Street)


Maybe I was too harsh on Wood Co…this 2006 building is just horrifically ugly. It has the classic overly simplified ornamental details of bad Postmodern architecture and has a general air of cheapness. 

842-850 North High Street


Much of the brick facade is pretty bare here, but a shallow pediment, cornice, and some mosaic tile applied here would categorize this one as Renaissance Revival.



The smaller panel above:


800 North High Street


This was one of the few times I could get a properly angled and framed shot of one of the tall Contemporary buildings on the street, largely due to Hubbard Street running right towards the center of this building. 800 N High was built in 2018 and houses various offices, a hotel, and most notably the TownHall restaurant. Aside from its odd, dog whistle-y anti-GMO, anti-seed oil stance and only cooking with beef tallow, its owner Bobby George pled guilty to strangling his girlfriend.

Hubbard Grille/Winders Motor Sales Company (783-793 North High Street)


For whatever reason, this lovely hunk of terra-cotta lacks any historic designation whatsoever. This is unfortunate, because it is one of my favorite buildings in the Short North. I’d say overall it is a Commercial-style building, though it has certain Stripped Classical elements such as the ornamentation and twin portals. Additionally, the white exterior evokes the marble materiality of ancient Greek temples.


The horizontality and low stature of this building is so extreme that this photo almost looks squashed:



Based on the hierarchy that the exterior established, I bet this central area was once the main offices of the dealership:



One of the two entrances:



The sign on the parapet is also pretty neat. 



Detail of the corbel ornament and the varying sizes of the masonry on the parapet:



I thought this picture of the sign was passable, but I wished I had came back at night with my camera to take one of it glowing bright red.



Luckily, I was there late at night with my phone, and had no shame in holding my group up to get this picture:



Just look at the way the neon makes the terra-cotta glow!


North facade of the former dealership:



This neon sign was on a building nearby further down Hubbard:


Short North Pint House (780 North High Street)


Pint House is the only Short North bar I’ve been to on multiple occasions, and it was always packed wall-to-wall with people. The building it occupies is a Commercial design built circa 1920.


One of the ornamental panels along the roofline:



Sign:


Axis Nightclub (775 North High Street)


I didn’t get a picture of the actual Axis building on Wall Street, which is an old brick industrial building painted gray, but I figured I could drop a bit of lore with this one. I went there exactly once, during the last couple months of my freshman year, with some of my friends and a (now ex-) girlfriend. Having essentially been straight out of the private Catholic military all-boys high school that I was forced to attend, it was very new to be at a drag show with my friends. I did enjoy the show itself, but I found the music to be extremely loud, and I felt very out of place. None of us got drinks (Axis has a reputation for people fiddling with them) except for one of my friends, and she immediately got sick and had to sit in the parking lot outside for a good while.



I never got an opportunity to go back again, but since I’m an introvert, I tend to struggle with more lively venues unless I’m very drunk. This was also the case with The GoGo, a gay bar in Italian Village.

Ohio Auto Sales Company Building (772 North High Street)

A photo of the building shortly after completion in 1915. (Columbus Metropolitan Library)


This Commercial-style building has copious windows across the facade, original glass prisms above the storefronts, and some limestone ornamentation along the parapet. It was built between October 1913 and May 1914 for brothers Charles Zimmerman, O. S. Zimmerman, and W. B. Zimmerman, who founded the Ohio Auto Sales Company in 1909. Although they sold Dodge, Ford, and Regal cars, the company went out of business by 1921.



Detail of the glass prisms:



The second floor also has transom windows:



Central stone relief:



One of the smaller stone reliefs to the left and right of it:


Russell Street Baptist Church (27-29 East Russell Street)


Not every day you see a Commercial-style church, but it has the characteristics of the style such as the brick exterior and parapet shape. It could also be labeled as Craftsman, too. The facade is dotted with some stained-glass windows, but they are rectangular in shape and lack any Gothic or Romanesque flair as would be expected on a church of this vintage.



I like the rough glazed brick that the exterior uses, too.


The Cap at Union Station (569-600 North High Street)

Not sure WTF my camera autofocused on here…lol


I-670 (the Innerbelt), which connects I-70, I-270, OH-315, and US-62 and was built on the former Union Station railway yards, had begun construction in the 1970s, but it was left incomplete due to budget issues. However, construction on the highway resumed in the 1990s, and the section between OH-315 to the west and US-23 (3rd & 4th Street) to the east was completed and dedicated in October 2004. A section of High Street which bridges the expressway, known as “The Cap,” is lined by two buildings designed by Meleca Architecture (David Meleca, now part of Moody Nolan) to imitate the Union Station arcade.


The plaster exterior doesn’t hold a candle to Daniel Burnham’s beautiful stonework, though. 



The little roof lantern above the entrance was not on Union Station and was of Meleca’s invention. I feel like this whole thing looks straight out of Las Vegas or some cheugy strip mall in Florida.



The illusion of the continuous streetscape kind of vanishes once you go west down Goodale Street, though, since the giant trench of I-670 is visible there:



The south side of the eastern building steps back as Goodale Street bends:



Doubled Doric column capitals:



Cornice and parapet:



That does it for this installment. Thanks for reading.


Sources:

https://gis.franklincountyohio.gov/parcelviewer/

https://stonewallcolumbus.org/about/stonewall-center/

https://digital-collections.columbuslibrary.org/digital/collection/ohio/id/2717/rec/12